PRIVATE PRESSKIT — NOT FOR PUBLIC USE
Indie · Electronic · Instrumental · Texture
Indie · Electronic · Instrumental · Texture
Blaschko Alley blend 90s indie and electronic influences into textured, atmospheric music that unfolds like a soundtrack without visuals.
Their identity as guitarists runs through the sound - the instrument sometimes rhythm or lead, but more often an effect-laden undercurrent moving against the electronic backdrop.
Formed in Glasgow by Ronan McMacken and Johnny Earlie, the project became a band after relocating to Berlin, where Robi Marcun joined as the third member.
The name draws from the enigmatic Blaschko lines - unseen patterns of change - and the idea of an underground alley where shifting soundscapes spill from hidden spaces as you walk by.
For Blaschko Alley, a title often comes before the music. A phrase caught in passing or pulled from a notebook can feel like more than words - as if it already contains its own world. The combination carries a mood, a place, even a cast of characters, waiting to be heard. The music doesn’t illustrate the words so much as give that world its soundtrack, translating something fleeting and invisible into sound.
Blaschko Alley blend 90s indie and electronic influences into textured, atmospheric music that unfolds like a soundtrack without visuals. The guitar runs through their sound - sometimes rhythm or lead, but more often an effect-laden undercurrent moving against the electronic backdrop. Formed in Glasgow by Ronan McMacken and Johnny Earlie, the project became a band after relocating to Berlin, where Robi Marcun joined as the third member. Their name nods to the mysterious Blaschko lines, unseen patterns of change, and the idea of an urban alley where shifting soundscapes spill from hidden spaces. Their work is cinematic, tracks often unfold with a soundtrack quality.
